It is believed to have the power to chase away demons, and that's why Pope Leo IV chose it in the 9th century to reign on the steeples of our churches. Very rare, this all-copper church steeple rooster has descended for a while, ready to come protect your home.

Church Steeple Rooster in Copper – 19th Century – Languedoc-Roussillon – [MP050]

Discover the extraordinary power attributed to the church steeple rooster – a demon-chaser chosen by Pope Leo IV in the 9th century to grace our church steeples. A truly rare find, this all-copper rooster has descended briefly, ready to safeguard your home.

This oil barrel comes from the renowned pottery center of La Chapelle-des-Pots, located in the former province of Charentes, known as Saintonge. Exclusively in Saintonge, from the Middle Ages onward, these barrel-shaped potteries were crafted using the beautiful local clay, reserving walnut oil for the lighting of each household.

Glazed Terracotta Oil Barrel – 19th Century – Saintonge – [PA080]

This walnut oil barrel originates from the famous La Chapelle-des-Pots pottery center in the ancient province of Charentes, known as Saintonge. Exclusively crafted in Saintonge from the Middle Ages onward, these barrel-shaped potteries reserved walnut oil for household lighting, using the beautiful local clay.

This Louis XIII oak dining table comes from the Château de Turenne in Corrèze. In the 17th century, comfortable furniture was a privilege reserved for the nobility. While household staff dined standing at a high serving table, the masters of the house and their guests could comfortably sit around this well-proportioned table.

Oak Dining Table – Louis XIII – 17th Century – Corrèze – [ME107]

This Louis XIII dining table originates from the Château de Turenne in Corrèze. In the 17th century, comfortable furniture was a privilege reserved for the nobility. While household staff dined standing at a high serving table, the masters of the house and their guests could comfortably sit around this oak table.

This little Louis XIV gilded mirror illustrates the savoir-faire of 18th century miroitiers, guillocheurs, stuqueur and gold leaf gilder. It will bring happiness in a secret boudoir where it will have the place of honor.

Little Gilded Wooden Mirror – Louis XIV – 18th century – Midi Pyrénées – [ME 110]

This little Louis XIV gilded mirror is an example of the extraordinary mastery and savoir-faire of the maîtres miroitiers of the 18th century. These stucco plastered floral motifs, its guillochées surfaces, its pare close structure and the original central mirror make it a perfect companion in a cosy intimate boudoir.

This countryside "bureau" has all the distinctive features of those used in th XIXth century to collect the "octroi" when goods arrived in towns on market day. Its rustic solid oak structure rests upon a H-shaped stand off. It has a large drawer one could keep receipts and money.

Oak countryside table-desk – 19ᵗʰ century – Sarlat district in Périgord Noir – [MP053]

This countryside “bureau” has all the distinctive features of those used in th XIXth century to collect the “octroi” when goods arrived in towns on market day. Its rustic solid oak structure rests upon a H-shaped stand off. It has a large drawer one could keep receipts and money.

Inseparable salt and flour boxes in walnut - 18th century - Provence - [MP025]

Inseparable salt and flour boxes in walnut – 18th century – Provence – [MP025]

Inseparable salt and flour boxes in walnut – 18th century – Provence – [MP025] Inseparable salt and flour boxes in walnut – 18th century – Provence Let’s first describe how the kitchens of yesteryear used these two pretty boxes carved from walnut, the best wood for this purpose. When at rest they were hung up…

This floral cherrywood buffet, crafted in the 18th century in the Rhone Valley, celebrates the Louis XV style in a most graceful manner. We refer to it as 'floral' due to the unusual abundance of floral motifs adorning each door and every drawer, creating a mirror-like effect.

Floral Cherrywood Buffet – Louis XV – 18th Century – Rhone Valley – [MP044]

This floral cherrywood buffet, crafted in the 18th century in the Rhone Valley, beautifully celebrates the Louis XV style. We refer to it as ‘floral’ due to the unusual abundance of floral motifs arranged on both sides of each door and every drawer, creating a mirror-like effect.

Curves, volutes, and Saint-Jacques shells – everything exudes the essence of Provence and the pure Louis XV style in this gilded wooden rococo mirror, resting upon two elegant feet. It dates back to the 18th century and has reached us in a remarkably preserved condition. Its mercury glass and wooden frame adorned with gold leaf gilding in the Armenian style are original.

Gilded Wooden Rococo Mirror – Louis XV – 18th Century – Provence – [ME111]

Gilded Rococo mirror crafted from wood, resonating with the essence of Provence and the quintessential Louis XV style. Originating from the 18th century, it has remarkably withstood the test of time. Its mercury glass and wooden frame coated with gold leaf gilding using the Armenian bole are both original features.

Offered as part of the bride's dowry by her father, this natural oak chest adorned with tulips and a country bouquet served two purposes in the 18th century: to hold the personal effects of the young bride and to allow the couple to sit at the foot of their bed in complete intimacy. Hence its name "end-of-bed chest."

Natural Oak End-of-Bed Chest – 18th Century – South West – [MP046]

It carries the aroma of beeswax that has permeated its natural oak since the 18th century, the era of its birth – a symbol of the union of a young couple whose initials were M and P… This end-of-bed chest is eagerly waiting to return to a room where love will reign, where love will be the law, etc.

Voici un authentique meuble auvergnat, témoignage de l’art populaire tel qu’il Here is an authentic Auvergne piece of furniture, a testament to the folk art as it manifested itself in the 18th century in the southeastern part of the Massif Central. This is a wedding chest assembled with thick larch wood planks, adorned with naive ornamentation inspired by the stylistic repertoires of Louis XIII and Louis XIV.

Wedding Chest in Larch Wood – 18th Century – Haute-Loire – [MP048]

Here is an authentic Auvergne piece of furniture, a testament to the folk art as it manifested itself in the 18th century in the southeastern part of the Massif Central. This is a wedding chest assembled with thick larch wood planks, adorned with naive ornamentation inspired by the stylistic repertoires of Louis XIII and Louis XIV.

Here is a pie dish that has the particularity of being cast right after a church bell, in order not to waste any of the molten metal. Therefore, it is made of the same bronze and can be considered the little sister of a bell, just a few minutes apart, though not an exact twin.

Bell Bronze Pie Dish – 19th Century – Southwest – [MP043]

Do pies baked in a pie dish cast from the same bronze as a church bell, on the very same day, carry the scent of holiness? You can find out by testing this exceptionally rare object, an authentic bell bronze pie dish, ready to ensure the most traditional cooking on a wood fire tripod.

Here are two impressive twisted walnut columns from the 18th century. Initially, they adorned the base of the monumental staircase in a public building located in the Midi-Pyrénées region. Now, they are prepared to enhance the charm of a film set or a private residence.

Two Twisted Walnut Columns – 18th Century – Midi-Pyrénées – [ME105]

Here are two impressive twisted walnut columns from the 18th century. Initially, they adorned the base of the monumental staircase in a public building located in the Midi-Pyrénées region. Now, they are prepared to enhance the charm of a film set or a private residence.

Here is an antique musician's lectern made of walnut from the 18th century in the Southwest region of France. It features a double openwork music stand resting on a solid wooden tablet, which contributes to its stability. Its base consists of three legs arranged in the manner of tree roots, ensuring its balance.

Musician’s Lectern in Walnut – Late 18th century – Southwest region of France – [ME109]

Here is an antique musician’s lectern made of walnut from the 18th century in the Southwest region of France. It features a double openwork music stand resting on a solid wooden tablet, which contributes to its stability.
Its base consists of three legs arranged in the manner of tree roots, ensuring its balance.

This Louis XVI chest of drawers is referred to as a "jump chest" due to its unusual height of its feet. Originating from the Provinces located in the South West region of the Kingdom of France, Guyenne and Gascony, this unique, sturdy and refined piece was made in the 18th century from thick cherrywood boards.

Louis XVI cherrywood jump chest from the 18th century – South West of France – [ME086]

Louis XVI cherrywood jump chest from the 18th century – South West of France – [ME086] The Louis XVI style is inspired by the forms and ornamental motifs of Antiquity. Its charm comes from its revisiting of classicism by infusing it with more delicacy and lightness. This cherrywood jump chest illustrates how this renewal was…